LINES OF DESIRE,
LINES OF NOISE, LINES OF SCREAM

The boustrophedon writing (from the ancient Greek Bous, the ox, Strophé, the act of turning, and Phédon, the furrow) involves alternating back and forth on the surface, first in one direction, then in the other. Thus, the path of the inscription is continuous, reversing itself when it meets the boundary or edge of a page, surface, or space.

The drawings of micro-architectures in arid contexts are here both images representing listening organs and speaking organs, where scales and staircases leading sometimes nowhere serve as bridges between the possibilities of back-and-forth movement in the air of phoné. Images of a fantasy of solitude, they feed on contemporary eco-anxiety and the dilution of meaning in rumor.