FICTIONARY MAPS

The maps form a tangible, phenomenological ground for memory and poetic drifting — a foundation that the encounter with the field will put to the test. They give shape to an initial, virtual moment of longing and reverie, preceding the meeting with the landscape. These drawn constellations frame the sensory and sonic experience — whether yet to come or already past — as well as the act of exploration and its possible entanglements with the entropic forces at work.


This corpus unfolds like a logbook — an atlas resonating in harmony with the musical work — drawing its source from René Daumal’s unfinished novel Mount Analogue and Fernand Deligny’s Lignes d’Erre. These are entropic expressions of psychic states and poetic reflections, traced through back-and-forth movements (in the manner of boustrophedons), seeking to transcribe the space of the common — beyond language.e beyond language.

« To tell the world is to tell how one intends to change it. Stories are already struggle, and struggle needs stories. »
Wu Ming

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